Archive for the ‘Artistic Group’ Category

LiveShocks Number 10!!!

Thursday, October 30th, 2008

Busy schedules have been keeping me off from updating this site. However that does not mean I have not been writing. I have been writing loads actually. Not entries like these sadly but short scripts. Since the last update, I have written 2 short scripts for my group LiveShocks. I am currently finishing another one.

LiveShocks! is Electric Minds Project’s bi-weekly script reading session. This activity is a chance to meet writers, directors and actors in a friendly, laid-back setting. This coming Sunday will be our 10th installation. I have been to every one minus installation 8 due to the 9th Emperor Festival.

LiveShocks! has helped me improve my script writing skills tremendously. In 21 weeks (it’s sounds like a long time but trust me, it isn’t), I have went from a noob to well… Not a noob. Hahaha!!!

One of my pieces is going to be performed in a showcase next year. Yay!!! A newbie writer’s dream.

Basically we are a group of theater enthusiasts who decided to do something other than complaining about the Win-Lose situations of the local theater scene. (Raise your hand if you have bitched about that before!)

LiveShocks! was started as a chance to meet writers, directors and actors in a friendly, laid-back situation. It’s a place where writers can have their work read, where actors can have a chance to read and for directors to listen (for once). Teehee!

Anyways, I cannot really explain LiveShocks! It is something that you would have to experience.

JOIN US!!!

We are on Facebook. If you can’t find us, let me know.

Krishen Jit Astro Fund

Wednesday, July 30th, 2008

2008 Call for Applications (Deadline 31 Aug 2008)

The Krishen Jit ASTRO Fund has been created by ASTRO to encourage and support creative work in Malaysia. One of the main objectives of Krishen’s pioneering work was celebrating original Malaysian creativity in as varied and alternative ways as possible in all the areas of the arts. His groundbreaking theatre practice straddled and brought together a wide range of contrasting spheres, producing projects that were inter-disciplinary, multi-cultural, multi-lingual and experimental. Negotiating between academia and practice, tradition and contemporary pop culture, Hollywood and Bollywood, the mainstream and the marginalized, Krishen’s work articulated a Malaysian identity that was ever evolving and encouraged practitioners and audiences to reflect on their lives and societies. This is the spirit of the Krishen Jit ASTRO Fund.

In 2006, the Fund received 80 applications. The final 3 grantees were:

o Au Sow Yee – for a film installation and performance.
o Sharon Chin – for research and an interactive installation and exhibition of new work concerning libraries and banned books.
o Dr. Ray Langenbach – for his Malaysian Performance Video Archives Project, a project to preserve Malaysian performance documentation.

In 2007, the Fund received 27 applications. The final 4 grantees were:

o Amir Muhammad – towards a film Punggok Rindukan Bulan.
o Hardesh Singh and CH Loh – towards the first Malaysian CD anthology.
o Lim Kok Yoong – towards LAMU-Let Arts Move You, visual arts in commuter trains and train stations.
o Shahili Abdan (aka Nam Ron) – for research in Southern Thailand for theatre script.

Once again, in 2008, the fund will give out grants ranging from RM5,000 to RM20,000 for :

Training
Workshops
Attachments/residencies
Experimental productions
Research and documentation
Writing
Creating new work in music, dance, theatre, writing, film, visual/performance art
Others

Examples include, but are not limited to:

- Artist A might want to study under well known Indonesian theatre director Putu Wijaya. Artist A could apply to be attached to a production directed by Putu Wijaya for a 4-6 week period. This would give artist A insights and learning on methods of this director.
- Artist B might want to do research on a subject for purposes of writing a new script. Artist B could apply to do this research and write the script.
- Artist C could apply to direct and mount an experimental workshop or production.
- Artist D could apply to attend a training workshop within or outside of Malaysia.
- Attachments and internships.

The Krishen Jit ASTRO Fund will try to be inclusive, but work sited in Malaysia will be given preference. All arts practitioners in Malaysia are eligible to apply. The fund will be managed by Five Arts Centre and ASTRO.

The selection panel for awarding the grants shall comprise :

Dato’ Norliza Rofli – Director, Department of Culture and Arts, Ministry of Culture, Arts and Heritage, Malaysia
Har Kok Kit – Head of Production Services, ASTRO
Leow Puay Tin – Co-head, Department of Media and Performance, Sunway University College.
Ravi Navaratnam – Five Arts Centre
Mac Chan – Five Arts Centre

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Application Deadline: 31 August 2008.

www.fiveartscentre.org

I like, I want

Tuesday, June 3rd, 2008

My best bud, Tash, introduced me to the Tokidoki line . I am hooked and would love to let you guys see the things that I would love to have. Mind you, all the artwork belongs to the site and its designer.

These are the things I want to have. If some kind soul would love to sponsor some for me, I would not mind. :D


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Cool right?

Freeze people!!!

Tuesday, April 29th, 2008

Last time I posted an article about Improv Everywhere

Well I have been involved in the Malaysia version of the Freeze. Here are the videos and pictures of my first involvment. Enjoy!!!


Official Videos

I’m in this one. About 1:29 and 4:11 mins into the video. The girl pointing at the ceiling. That is yours truly. Oh yeah!!!
There is Alfred and Davina at around 3:34 mins.
4 mins in, you get to see my buddy Ray Cheong.
The kid at the end, is Shirin’s lil dude, my freeze buddy.

Other videos


If you noticed, the person dressed as Kon is in this video.

freeze1
Well, here he is again!!!
Shirin helped me to take a photo with Kon.
:D Love you girl!!!


How big is the event? Well, it was on Astro’s news. I guess it is pretty big.

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My freeze buddy!!!!

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Strike a pose!!!

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Post freeze. This is Razif of 8TV fame.

Dedicated to all my fellow actors…

Monday, March 24th, 2008

Recently I was invited to join an online group which was fittingly called - “You know you’re an actor when” on Facebook. I am sharing this so that all my ’stubborn’ friends will finally understand why Facebook is better than some of the current social networking sites out there and that they should just jump on the bandwagon.

Anyways, read the lines below (Nope, I did not write them, I just copied it out of the group for your enjoyment and hopefully entice you into opening a Facebook acount for the sake of networking)

P.S. No, Facebook does not pay me. I just like being on there.

Now before I kill the enthusiasm. I shall let you enjoy these.

You understand what opening up, quartering out, projecting, and the magic if are.

You can read faster than a speeding bullet.

You know you won’t get cast in a role that’s 30 years older than you- but you audition anyway.

You are crazy enough to act professionally.

You know who Stanislavski, Hagen, Chekhov, and Miesner are.

You laugh when someone uses the words “Keanu Reeves” and “good Actor” in the same phrase.

You are terrified of the stage manager.

You are used to working until 10 or 11 p.m.

You are constantly looking and memorizing monologues.

You use things like ” British accent” “scuba diving” and a picture in your resume.

You can put on full hooker make-up in under five minutes.

You can COMPLETELY change clothes in under 15 seconds.

You are extremely comfortable in the dark.

You can’t watch a movie without judging everything about it.

You see more plays than movies.

You know someone in every play you see- and want their part.

top raumen is a staple.

You go to New York to live in a tiny apartment with 7 other people.

You accept that you will just have to marry rich.

You can dance ANYTHING in heels.

You don’t mind blisters or costumes that don’t fit.

You HAVE NO SHAME whatsoever.

You burst out into song.

You repeat lines from the current show you’re in casual conversation.

You have thousands of temporary friends.

You can’t do calculus but can recite Shakespeare from memory.

You know the value of a good headshot.

You have hundreds of copies of your headshot.

You would cut and die your hair in a split second for a part.

You have more makeup than a 13 year-old’s bathroom (even if you’re a guy).

You never wear jewelry unless you’re on stage.

Rolling on the floor “interpreting” music doesn’t seem weird to you.

You are used to bright lights shining in your eyes.

You look like a crazy person riding public transportation because you’re practicing your lines.

You can memorize anything.

You get yelled at more than you get spoken to- and it doesn’t bother you.

You can walk around in just panty hoes.

You can share a bathroom with 20 people.

You can be EXAUSTED but still play the lead in a musical.

You can sing and dance at the same time.

You aren’t shy about kissing a stranger.

You whip out cigarettes anytime someone says “5 minutes”

You smoke, know it’s bad for you, but do it anyway.

You can still work even if you’re sicker than a dog.

You try to remember what if feels like when you cried.

You wear all black and don’t see the problem.

You can do eight accents at the drop of a hat.

You know Choices are good- but emotions are not.

You work well under pressure.

You can do 3 shows a day and still want more.

You can fill a room the size of a stadium without a microphone.

You know how you put on a body mic in under 10 seconds.

You know why there’s that drawer full of condoms- (no, not for that!).

You can do a full show with broken limbs.

You understand that being early is on time, being on time is late and being late doesn’t happen.

YOU’RE NEVER LATE!

You understand the director is never wrong- even though they are a lot.

You can kiss major ass and not feel bad about it.

You have really bled during a show but still do the full show.

You have accidentally flashed large rooms of people.

Your roommates never see you.

You don’t have time to eat, sleep, or do anything other than rehearse.

You don’t practice, you rehearse.

the quote “Actors without techies are just people trying to emote alone in the dark. Techies without actors are people who have marketable skills.”
makes you mad- even if you know it’s true.

You live on less than minimum wage- and your parents told you so.

You have beet hit or almost been hit by the fly at least once.

It is snowing outside but once you walk in that dressing room you sweat rivers… and it only gets worse on stage.

You don’t want to think about where those costumes have been.

You have been fined for costumes being on the floor.

You have seen every member of your cast naked when trying to do a quick change.

You wish you were shorter if you are a girl or wish male actors were taller.

You know curtain call is always a little shaky…

You can smile during curtain call even if you are dying inside from an awful show.

You struggle to mention the scottish play even when you aren’t in a theatre.

The words “Good Luck” never come out of your mouth, no matter what the circumstance!

You know you’re an actor when you call job interviews or tryouts for sports teams, “Auditions”

You know you’re an actor when you don’t call your friends by their names; you call them by what character you think they’d be best as.

People stop in the middle of class to hear YOUR conversation even when it’s the most mundane thing. They’re just confounded by our skills.